Friday, September 30, 2022
Thursday, September 29, 2022
No Longer A Common Complaint
Wednesday, September 28, 2022
Travelling Light
Tuesday, September 27, 2022
Good Sports
Monday, September 26, 2022
From Mourning to Mooning
Sunday, September 25, 2022
Debit and Credit
Her Ministers were ill behaved;
She sat and smiled and squeaked and waved.
As poor and migrants were reviled,
She squeaked and sat and waved and smiled.
When poverty arose and peaked,
She smiled and waved and sat and squeaked.
Say what you will, but give her that:
She waved and squeaked and smiled and sat,
But when her bills would come around
She stood, spoke up, and fought, and frowned.
Queenie Blackstone
Saturday, September 24, 2022
Fiscally Emotive
Friday, September 23, 2022
Vessels of Mystery
Thursday, September 22, 2022
A Slightly Smaller Send-off
Wednesday, September 21, 2022
Out of the Woods
Tuesday, September 20, 2022
Self-Bleaching Whitewash
Monday, September 19, 2022
Death, Where is thy Sting?
Of headlines in the mourning Press,
Our grief by Church and State endorsed
And by the truncheon well enforced,
Ten days we mourned that constancy
Which, by not dying, made us free.
Our duty done, with hush profound,
The leftovers plonked in the ground,
Look forward now to day more fair
With jewelled hat plonked on the heir,
Amid a crawling, crowing mess
Of headlines in rejoicing Press.
Fern Irreal
Sunday, September 18, 2022
Inching Towards Liberty
Saturday, September 17, 2022
Historical Straitjacket
Friday, September 16, 2022
Owning Glendower
Thursday, September 15, 2022
Radical Measures
Wednesday, September 14, 2022
Markets Forced
Tuesday, September 13, 2022
Dry Up and Carry On
Monday, September 12, 2022
Foreign Olives, Crooked Branch
Sunday, September 11, 2022
From New Amsterdam to New Kigali
Saturday, September 10, 2022
Heated Words
Friday, September 09, 2022
St Bartholomew's Denialism
Thursday, September 08, 2022
Elegy
So well as relics of the past,
There's one law you were not above:
The tax-man's come to call at last.
Roy L. Croke
Wednesday, September 07, 2022
A Hopeful Sign
Tuesday, September 06, 2022
Let Them Eat Meat
Monday, September 05, 2022
Support Your Local Truss
How jolly for lucky old us,
For soon we shall see
Who gets by tax-free
And who gets thrown under the bus!
Rah rah for our Dear Leader Liz,
Who's quite the political whiz:
Against foes and shirkers
Like France and the workers,
She's already got down to biz!
Rah rah for our Dear Leader Truss,
Elected without fear or fuss
In poll fair and free
By zero point three
Of one whole percentile of us!
Rah rah for our Dear Leader Liz!
Such fine British filly she is,
With Union Jack
At sides, front and back
Of vacuous patriot phiz!
Rah rah for our Dear Leader Truss,
Who certainly will be a plus
Both local and global
While wielding her noble,
Refined culture-war blunderbuss!
Johnson Holder
Sunday, September 04, 2022
Dam Busters
Saturday, September 03, 2022
Filthy Foreign Tricks
Friday, September 02, 2022
Flush With Freedom
Thursday, September 01, 2022
The Dark Tower and Other Stories
Another and more interesting space-travel tale, "Forms of Things Unknown", concerns a mysterious menace on the moon; Lewis apparently left it unpublished because he thought readers would be too ignorant of Greek mythology to understand it. In fact, the solution works all the better for not being spelled out, and the superb choice of a vital atmospheric detail at the end provides some compensation for the basic silliness of the premise. The unfinished "After Ten Years" is set around the fall of Troy, where Lewis is clearly much more comfortable than in either the future or the present. The opening scene finds Menelaus waiting nervously with his comrades inside the wooden horse, and the story depicts his attempt to come to terms with his confused emotions towards the faded Helen and his dawning suspicion that his more calculating elder brother has used him as a politico-economic pawn. It's an intriguing set-up nicely told, and it is unfortunate that Lewis never got beyond the first few chapters.
The narrator of "The Shoddy Lands", an Oxford don, is happy when a former pupil comes to visit, but miffed when the younger man has the temerity to arrive accompanied by his wife. Since she is too dim and shallow to appreciate interesting conversation, let alone participate, the two men are stuck with exchanging banalities until the narrator finds himself projected into a nightmare world of vague, unformed shapes and colours where any sign of life or definition is confined to a few seemingly arbitrary objects. As it turns out, "The Shoddy Lands" is another anti-female piece; indeed, with the possible exception of "After Ten Years" the volume as a whole might easily have pre-empted Patricia Highsmith's title Little Tales of Misogyny. Even so, "The Shoddy Lands" is nowhere near as crude as "Ministering Angels", especially as the narrator has the good grace to admit that others may have grounds for perceiving him in the same uncharitable light as he perceives the young lady; and the bland horror of his vision is neatly conveyed.
Best of all is the title piece, which comprises the opening seven chapters (the last incomplete) of a brilliantly conceived fantasy-horror novel. A scientist has constructed a "chronoscope" through which he discovers a ghastly parallel Oxford apparently under the dominion of a man with a scorpion-like sting protruding from his brow. Certain inhabitants of this other world also physically resemble characters in our own, and eventually Scudamour, the inventor's young assistant, becomes stranded in the Stingingman's world while his counterpart is projected into this one.
Among the characters is Ransom, the pious voyager from Lewis' trilogy of interplanetary sermons; but mercifully he has little to do except drop an occasional muscular-Christian apophthegm. The author's pious hatred of women who don't know their place displays itself in the brief characterisaton of Scudamour's "liberated" fiancée, at whose likely punishment the narrator hints by referring to her consistently in the past tense. These and other annoyances pale beside the depiction of the parallel world, at first confined to the Stingingman's chamber and subsequently broadened with ever less pleasant revelations as the transposed Scudamour starts exploring. Both the chronoscope and the means of travelling through it are about as scientifically thought out as the back of a magic wardrobe; on the other hand, the doubling of the characters means that a sceptic's objection to the possibility of time travel is cleverly defused. Eventually Scudamour makes a fascinating discovery about the science of the Stingingman's world: in keeping with the mirror-image relationship between that world and ours, it has remained primitive in its understanding of space while advancing far beyond our own science in its analysis of time.
At about this point the manuscript breaks off, to the understandable frustration of many; but I think there is a case for appreciating The Dark Tower just as it stands. Had Lewis completed the story, there is room for doubt as to whether he would have forsaken his proselytising vocation in favour of further exploring the parallel world's science of time. Instead, we would likely have seen all too much more of the irritating Ransom as his character was built up to save the situation; while Scudamour's obnoxiously modern girlfriend would doubtless have been conveniently sacrificed to the advantage of her more pliable counterpart. In an age more tolerant than Lewis of textual openness and indeterminacy (according to Hooper, Lewis couldn't even tolerate stream-of-consciousness), what we have of The Dark Tower might perhaps be read as the chronicle of an experiment abruptly broken off for reasons as secret as they are sinister; or, more abstractly, as an example of logical philosophy keeping silent whereof it cannot speak. Seen in this light (and Lewis would no doubt be gratifyingly ungrateful for the compliment), The Dark Tower outshines any number of well-wrought tendentious tales in defence of a nasty little god.