Wednesday, June 30, 2021
Tuesday, June 29, 2021
Jobs Not Wogs
Monday, June 28, 2021
Spiritual Fires
Sunday, June 27, 2021
Bad Theology
Jesus concludes a disquisition on the approaching genocide of the disobedient by proclaiming that nobody except the Father knows when this glorious event will occur. He compares God to a man who goes on a journey, leaving his servants in charge of the house and commanding the door-keeper to stay awake.
The analogy is typically disingenuous. No doubt the amenities in first-century Palestine were such that few travellers could reliably predict the precise day and hour of their return; by contrast, the omniscient God has presumably known the day and hour of His ultimate victory since the beginning of time, but deliberately withholds the knowledge even from the Saviour. Like many tyrants, particularly those who consider lack of worldly foresight an advantage in their sycophants, the Father displays a well-merited mistrust both of His Son and of His servants.
For His own part, Jesus could not forbear from stating that the day must come during the lifetime of His earthly contemporaries; but His pronouncement here makes clear that this was pure speculation on His part, doubtless born of His compassionate and ever-present zeal to see the world burn. Possibly such speculation was part of the reason for the Father's secretiveness, since it indicated that the eternally vindictive and boastful Son could not entirely be trusted to keep the family secrets to Himself.
Saturday, June 26, 2021
Crude Evasion
Friday, June 25, 2021
Trucked Over
Thursday, June 24, 2021
Concerning Journalistic Understanding
Wednesday, June 23, 2021
Halfwit League Onward
Tuesday, June 22, 2021
Nicely Turned Out
That echoes through the lawful British night,
Distracting the Imperial cadaver
From gloating in its sepulchre so white?
Perhaps another statue's come a-cropper
Through treason of unpatriotic crooks?
Or has another suspect mugged a copper
By giving him those bad, black British looks?
Is it the mighty Tiber madly foaming,
All blue and red with noble blood and prole?
Or is it just a dusty pseudo-Roman,
Revolving in the blackness of his hole?
Sibyl Anglorum
Monday, June 21, 2021
Those Who Help Themselves
Sunday, June 20, 2021
The Father of Teeth
Fortunately, however, it was by no means around this time that the Father of Teeth went striding among sun-scorched rocks and dawdling along desolate crags, and watching the horizon sink its black and crooked fangs into the gaudy sky. His appreciation was interrupted by a series of minor earthquakes, which made fine grit hiss like halitosis and caused small stones to rattle like loosened molars. Following the vibrations to their source, the Father of Teeth came upon a titanic figure fettered to the rocks, with a poisonous snake above. As the Father of Teeth approached, the snake dropped venom on the titanic figure's brow, which caused him to convulse and the rocks to shudder with his agony.
"Who are you?" the titanic figure demanded of the Father of Teeth.
"I felt a grinding in the ground, and followed it," said the Father of Teeth. "The earth does not usually tremble at my passing, however unconscionable my feet."
"You have not been sent to deliver me from my punishment?" asked the titanic figure.
"I have not," said the Father of Teeth. "What was your crime?"
"Letting a few monkeys play with fire," said the titanic figure. The snake dripped its venom, and agony convulsed him and the rocks shuddered again.
"For stealing from the gods," continued the titanic figure, "I was bound even as you now see me, and every day an eagle would come and devour my liver, which would forever regenerate itself to be eaten anew on the morrow." Indeed, just beneath the lowest of his seventeen sets of ribs the titanic figure bore a ragged scar: clearly the result of many and repeated woundings.
"But the eagle has been absent for some time, which led me to hope that the gods might realise at last that I acted for the best, from a spirit of compassion and the furtherance of progress, and hence that they might be disposed to reconcile."
"I fear you can hardly have kept up with current events," said the Father of Teeth; "those gods who bound you have been extinct for millennia, and the birds for several decades, and the coming of winter is so feared by your pet monkeys that the use of fire is subject to an impressive array of priestly prohibitions." And the snake dripped its venom again.
Saturday, June 19, 2021
Eton Up the Countryside
Friday, June 18, 2021
It Came From Outta Knoxville
Thursday, June 17, 2021
Looks Like I Picked the Wrong Week to Give Up Monkey Glands
Wednesday, June 16, 2021
Blooming Treachery
Tuesday, June 15, 2021
Foreign Bodies
Monday, June 14, 2021
Fallen Idols
Sunday, June 13, 2021
Bad Theology
Amid various urgent moral exhortations concerning beards, necromancers, the fruit of trees in a strange land, and the priestly profits to be made from the rape of female slaves, God orders that His chosen people should not tattoo themselves, and should not commemorate the dead by cutting themselves.
God's dislike of self-harmers is doubtless rooted in His loathing for the prophets of Baal, who offered their own blood and pain to call their inattentive deity to action (I Kings 18 xxviii) before being murdered at the orders of the the prophet Elijah. The fact that Elijah lived some centuries after the laws of Moses were written would of course mean nothing from the Father's eternal perspective; the appearance of Moses and Elijah at the Saviour's transfiguration demonstrates the simultaneous existence of all three prophets, and the essential continuity of their violent and primitive doctrines.
God's prohibition against tattoos is a reaction against the over-civilised ways the Hebrews have learned during their captivity. In Egypt, as in many ancient and prehistoric societies, tattooing was used for medical purposes; God's jealousy reserves the treatment of the sick to Himself and His servants, just as He reserves the right to afflict His people with crippling illnesses for no better reason than to show off His own power.
Saturday, June 12, 2021
Domestic Dispute
Friday, June 11, 2021
National Virtue
Thursday, June 10, 2021
Still One of Our Boys
Wednesday, June 09, 2021
Well Taught
Tuesday, June 08, 2021
Plumping Up the Cushion
Monday, June 07, 2021
Goals and Balls
Sunday, June 06, 2021
The Father of Teeth
On the contrary, when the Father of Teeth departed that district he left a memento behind, in the form of a seventeen-storey molar which erupted from the city's central square, upsetting three war memorials and discombobulating sundry traffic. It was varnished and glazed to a rich locust-carapace brown, and in the hollow of its crown were enough nutritious scrapings to stave off the famine for a month.
By means of hooks and grapples, and with the aid of numerous convenient cavities in the enamel of the miraculous molar, the boldest among the citizenry ascended to the heights and harvested the bounty for distribution. In payment for this entrepreneurial compassion, the climbers were granted the additional privilege of scraping at the varnish and glaze, and from these brown and brittle pickings they fashioned the brittle bracelets of their office, and also the brown blades with which they improved the genitals of their initiates. With the aid of the miraculous molar the city withstood the famine; the grateful citizens offered thanks to the Father of Teeth, and the climbers undertook to convey their gratitude when the time was right, in return for whatever humble considerations might be deemed appropriate to tide over the messengers in the meantime.
The seasons proceeded according to the Creator's implacable plan; the city was scalded by the sun, battered by the wind and spattered by the rain, and one day the crown of the miraculous molar was discovered to be barren of nutritious material, and in places even scraped down to an unhealthy calcium white. Anxious for their fragile blades and bracelets, which required frequent replacement, the climbers built a shelter around the miraculous molar, and a temple around the shelter, and a courtyard around the temple, and a wall around the courtyard, and a legend around the wall, which stipulated that the Father of Teeth himself had put all these amenities in place, and would himself chew out, most mercilessly and unhygienically, anyone who dared disturb so much as the dust on a single sacred stone. And so the miraculous molar remained unseen and untouched by any but the most privileged among the climbers, while the bulk of the citizenry grovelled from afar.
Again the seasons proceeded according to the Creator's implacable plan; the city was battered by the wind, spattered by the rain, and scalded by the sun. Famine came again, and people died off in a most unspiritual manner, despite the efforts of the climbers, who fashioned new blades and refashioned the genitals of the elect with more-than-carnivorous piety. Many of those who survived made preparations to depart the city, disrespectfully flicking dust from the courtyard wall as they passed by. The climbers denounced them fiercely for these perverse and wilful actions, which could have no other result than to perpetuate the famine unnecessarily; they called down the vengeance of the Father of Teeth, which miraculously materialised in the shape of some heavily-armed and prudently well-fed keepers of law and order. Though their admonishments were salutary in their sacrificial sharpness, the dust had been flicked from the wall and the famine went on much as before.
Once more the seasons proceeded according to the Creator's implacable plan; the city was spattered by the rain, scalded by the sun and battered by the wind, and soon very little remained except for a worn white stump, which throbbed and nagged dully until the Father of Teeth returned to that region, uprooted it with some pliers and a grunt, and hid it about his person and went muttering on his way.
Saturday, June 05, 2021
Shadows With Claws
THE VALKYRIE
Bedroom; west wall.
Directly in the line of sight of anyone sitting up in the bed.
An apparent effort at a mythological variation, painted in the same glistening hyperreal style as the "Street Encounter." In the right-hand half of the picture a man is slumped against a pillar. His back is to the viewer and only his left side is visible. Darkness and mist obscure the background; the floor is smooth and polished, gleaming with a grey light; the ceiling, like the top of the pillar, is outside the composition. The man is evidently injured and possibly unconscious: his head hangs limply to the left while his arm is held stiffly across his body, apparently pressed against an abdominal wound. There are no overt signs that he has been involved in a battle, or even that he is a warrior; but the bulky angularity of his shoulder suggests a military greatcoat, and the gunmetal surface of the pillar is grazed and pitted as if by repeated violence extending far back in time. Some critics have also seen in the darkened area of the floor around the man a spreading pool of blood, rather than the indeterminate shadow which appears to the more conventional view.
Facing the man from the left side of the picture, at an equal distance from the centre, is an armoured female figure. She is crouching on her feet and hands, leaning slightly forward in an attitude suggesting mild curiosity. Her limbs are bare except for greaves on her lower legs and a bracelet above her right elbow; bracelet and greaves have the same blue-black colour and battered, ancient texture as the pillar. The rest of her armour consists of a similarly battered thigh-length mail shirt, belted at the waist; from the belt hang sundry items of equipment including a knife, a claw-hammer, a leather water-pouch, and what on casual inspection looks like a pistol; careful inspection shows that the weapon is a small electric drill. In contrast to the state of her armour, all the tools are well cared for and polished to a steely shine. She wears no helmet; her greenish grey hair falls in seaweed clots over her shoulders and forehead. Her arms and face are pallid, with a tinge of blue; possibly some unearthly effect of the light, possibly not.
Her head is thrust forward and held slightly to one side: an attitude that might almost be called quizzical were it not for the expression on her face. That expression has been much debated, but no-one has detected irony there, let alone humour. The face itself is unobjectionable, if a little angular; there is nothing unnatural in the shape and proportion of the features, and the means by which the artist achieves his effect have caused almost as much argument as the meaning of that effect. The posture of the head, the dead-straight gash of the mouth, the depth and flatness of the eyes, all contribute to its peculiar quality.
Friday, June 04, 2021
Our Precious Market Forces Tromped
Thursday, June 03, 2021
Happy Tanking
George Bernard Shaw
Connoisseurs of military Britishness, who remember with pride the non-aircraft carrier and the submarine that could just about detect Scotland by touch, will rejoice at the Ministry for Wog-Bombing's new armoured vehicle. The Ajax cannot reverse over objects more than twenty centimetres high: an incentive to advance at all costs which might be a bit more rah-rah were the Ajax capable of moving and shooting at the same time. Thanks to the Ministry's patriotic insistence on an ill-fitting but doubtless chum-profiting type of cannon, the Ajax crews have been spared the trouble of defending themselves while driving. This is doubly fortunate as the suspension is so British that crews can't operate for more than an hour and a half at a time, and are at risk of tinnitus and swollen joints if they try to rattle along at more than twenty miles an hour. Since the Ministry for Wog-Bombing is as deeply concerned as ever about the health of its donkey-following felidae, it appears that no delays to deployment will be countenanced: the enemies of state and people will just have to follow the example of the coronavirus and bow to our Britannic timetable. Appropriately enough, the Ajax is named after two mythological heroes, one of whom was a sex offender who slaughtered some cattle and himself over a second-hand suit of armour, and neither of whom maintained very good relations with the goddess of wisdom.