Saturday, December 31, 2022
Friday, December 30, 2022
Shadows With Claws
THE VALKYRIE
Bedroom; west wall.
Directly in the line of sight of anyone sitting up in the bed.
An apparent effort at a mythological variation, painted in the same glistening hyperreal style as the "Street Encounter." In the right-hand half of the picture a man is slumped against a pillar. His back is to the viewer and only his left side is visible. Darkness and mist obscure the background; the floor is smooth and polished, gleaming with a grey light; the ceiling, like the top of the pillar, is outside the composition. The man is evidently injured and possibly unconscious: his head hangs limply to the left while his arm is held stiffly across his body, apparently pressed against an abdominal wound. There are no overt signs that he has been involved in a battle, or even that he is a warrior; but the bulky angularity of his shoulder suggests a military greatcoat, and the gunmetal surface of the pillar is grazed and pitted as if by repeated violence extending far back in time. Some critics have also seen in the darkened area of the floor around the man a spreading pool of blood, rather than the indeterminate shadow which appears to the more conventional view.
Facing the man from the left side of the picture, at an equal distance from the centre, is an armoured female figure. She is crouching on her feet and hands, leaning slightly forward in an attitude suggesting mild curiosity. Her limbs are bare except for greaves on her lower legs and a bracelet above her right elbow; bracelet and greaves have the same blue-black colour and battered, ancient texture as the pillar. The rest of her armour consists of a similarly battered thigh-length mail shirt, belted at the waist; from the belt hang sundry items of equipment including a knife, a claw-hammer, a leather water-pouch, and what on casual inspection looks like a pistol; careful inspection shows that the weapon is a small electric drill. In contrast to the state of her armour, all the tools are well cared for and polished to a steely shine. She wears no helmet; her greenish grey hair falls in seaweed clots over her shoulders and forehead. Her arms and face are pallid, with a tinge of blue; possibly some unearthly effect of the light, possibly not.
Her head is thrust forward and held slightly to one side: an attitude that might almost be called quizzical were it not for the expression on her face. That expression has been much debated, but no-one has detected irony there, let alone humour. The face itself is unobjectionable, if a little angular; there is nothing unnatural in the shape and proportion of the features, and the means by which the artist achieves his effect have caused almost as much argument as the meaning of that effect. The posture of the head, the dead-straight gash of the mouth, the depth and flatness of the eyes, all contribute to its peculiar quality.
Thursday, December 29, 2022
New Lynch Mob, New Catch-Phrase
Wednesday, December 28, 2022
We Shall Fight on the Giant's Causeway
Tuesday, December 27, 2022
Beefed Up and Chickened Out
Monday, December 26, 2022
Just Lying Around Doing Nothing
Sunday, December 25, 2022
Not Peace, But a Sword
Saturday, December 24, 2022
One-Sided Truce
Friday, December 23, 2022
On the Bright Side
Thursday, December 22, 2022
Stronger Together
Leave patriots to give us power.
If you support the striking workers
We grown-ups do not favour shirkers.
If you're a renter not a buyer,
Our demographic's pay is higher.
If you think change is overdue
We do not need the likes of you;
And if you're poor and under thirty,
Your vote would only get us dirty.
Sir Rodney Caution, KCB
Wednesday, December 21, 2022
Let Them Drink Sewage
Tuesday, December 20, 2022
Health Planning
Monday, December 19, 2022
Absent Enforcement
Sunday, December 18, 2022
Scabs With Guns
Saturday, December 17, 2022
Available Now
Earlier this year I was called up for jury service at the Old Bailey. As it turned out, I was not in the end required to attend a trial, and was released after a few days which were spent mostly sitting around in large chilly rooms, reading inscriptions on walls and looking at statues of dead monarchs. Although the staff did everything they could to make it as un-Kafkaesque an experience as possible, a sinister mutant form of the episode has duly emerged for perusal in paperback and PDF at unfeasibly reasonable prices. As with Spider Rider, Crimes Against Reality and several others on my unfailingly available backlist, that fine cover image is by Giovanna Ceroni.
Friday, December 16, 2022
A Different Class of Worker
Thursday, December 15, 2022
Gunboat Diplomacy
Wednesday, December 14, 2022
He Couldn't Even
Naturally, there is no particular reason why Fishy Rishi, overpaid Gewinseltenor of the badly-staged, heavy-handed opéra bouffe that is the present Government, should have reminded me of that anecdote. He is, after all, British.