Friday, February 28, 2025
Thursday, February 27, 2025
Unhealthy Associations
Wednesday, February 26, 2025
Weighting the Barbarians
And merit death from our disease;
So those our own God cannot save,
We humbly slaughter and enslave.
They're simple, noble, frank and free
Of civilised hypocrisy;
We've much to learn, they've lots to teach,
Provided they don't over-reach.
Though quite impressive in their time,
They've lately turned to drugs and crime.
The lower orders of our race
Should look to them, and know their place.
Their complex tribal culture stays
In harmony with Nature's ways;
Alas, their fund of social health
Adds little to our conquered wealth.
Extinction's coming for us. How
Might we best make use of them now?
Mia Kapoialysis
Tuesday, February 25, 2025
Media Magic
Monday, February 24, 2025
Hire Learning
Sunday, February 23, 2025
Spot the Red State
Saturday, February 22, 2025
Don't They Know Who's the Colonial Power Around Here?
Friday, February 21, 2025
You're Still Not Poor Enough
Thursday, February 20, 2025
Blood Money
Wednesday, February 19, 2025
Devolution Debased
Tuesday, February 18, 2025
Orange Letter Day
Monday, February 17, 2025
Vive la Différence
Sunday, February 16, 2025
Move Over, Talleyrand
Saturday, February 15, 2025
Set a Fraud to Catch a Fraud
Friday, February 14, 2025
Our Moral Progress
Thursday, February 13, 2025
Lowe Quality
Wednesday, February 12, 2025
If Muroids be the Food of Love
Tuesday, February 11, 2025
Evils Necessary and Unnecessary
Monday, February 10, 2025
Realism At Last
Sunday, February 09, 2025
Authentically Krapp
The literalist superstition has once more emerged in a gimmick by the organisers of the Beckett Biennale, who have proclaimed long-term plans for a performance of Krapp's Last Tape to feature an unsimulated sixty-nine-year-old interacting with unsimulated recordings of his voice as a thirty-nine-year-old. The result will be "true vocal authenticity," that all-important attribute of stage performance which has been sadly missing in other quarters since the Scottish Play had the misfortune to be penned by William Shakespeare instead of by William McGonagall.
Saturday, February 08, 2025
Performative Culture
Friday, February 07, 2025
The Past is a Foreign Country
Thursday, February 06, 2025
They Don't Need Reminding
Wednesday, February 05, 2025
Sustainable Scum
Tuesday, February 04, 2025
À l'orange
Monday, February 03, 2025
On the Tragic
The stylistic whims of Peter Wessel Zapffe extended to idiosyncratic use of italics and quote marks, as well as to occasional footnotes querying the grammar; all of which the reader of Ryan Showler's translation has been mercifully spared. Latin phrases are unpatronisingly retained and conveniently glossed, while the English is clear and concise; although the usage of the pronoun one requires some acclimatisation. Whether or not this results from the translator's rendition of a Zapffean quirk will take a better and braver scholar of Riksmål than I to determine. Many of the references are from Scandinavian and German sources, and therefore possibly not widely known or readily available to English readers; but the translator has been compassionate enough to include an index, which the original did not.
Some of On the Tragic is heavy going, at least for the philosophically untrained; and there is a lengthy legalistic digression (Zapffe was also a jurist, as well as scaling mountains merely geological) which may try even a philosophical patience. But all through the book Zapffe drives home his points with sharp little parables, among which the antlers of the Irish elk, the tree destroyed by its best fruit, and the cats stranded on an isle of jumping beetles are merely three of the most memorable. No less worthy of mention is the theorist who seeks to sum up and transcend his two hundred predecessors only to find himself classified as Theorist No.201.
The analysis and classification of tragedy in its many variants and combinations culminates with an examination of tragic literature and criticism, including detailed and interesting readings of Prometheus Bound, the Book of Job, and Hamlet. I was gratified to observe that Zapffe reached a conclusion similar to my own concerning a certain resident of Pandora's box. In Job Zapffe finds "a fanatical will to intellectual honesty, and a poet who combines the ability to give his abyss-deep hatred of God a dazzling satirical form with cascading cosmic pathos ... a blasphemous masterpiece;" while in Hamlet he sees a great man whose ruinous "tragic flaw" is not a vice like Macbeth's ambition or a weakness like Othello's jealousy, but the very strength and virtue of his moral and intellectual courage.
Ryan Showler and Peter Lang deserve our gratitude. No philosopher with a name like Peter Wessel Zapffe should be allowed to languish in obscurity, any more than he should be permitted to escape becoming a humourist.