Monday, March 31, 2025
Sunday, March 30, 2025
Affordable Losses
Saturday, March 29, 2025
Lady Caversham
Friday, March 28, 2025
Still One of the Big Boys
Thursday, March 27, 2025
Big Britbot is Watching You
Wednesday, March 26, 2025
Glories Told and Untold
Tuesday, March 25, 2025
Enterprise Unharnessed
Monday, March 24, 2025
I Feel Safer Already
Sunday, March 23, 2025
Selective Learning
Saturday, March 22, 2025
Everyone's a Winner
Friday, March 21, 2025
Naughty Words
Thursday, March 20, 2025
Houston, We Have a Problem
Wednesday, March 19, 2025
Every One That Asketh Receiveth
Tuesday, March 18, 2025
Some Cultures Are Better Than Others
Monday, March 17, 2025
Wesley Wags the Finger
Sunday, March 16, 2025
Health and Safety
Saturday, March 15, 2025
Dead Right
Friday, March 14, 2025
Lands With People For Unpeople Without Lands
Thursday, March 13, 2025
Unforeseen Complications
Wednesday, March 12, 2025
If It Ain't Woke, Don't Fix It
Tuesday, March 11, 2025
Metal to Peddle
Monday, March 10, 2025
Technically Innocent
Sunday, March 09, 2025
Brutal Consolation
Saturday, March 08, 2025
Something Very Wrong
Friday, March 07, 2025
Justice on the Rebound
Thursday, March 06, 2025
Lowe Tactics
Wednesday, March 05, 2025
Available Now
This is the one which I started last March and on which I got stuck before being rescued by the crabs. Essentially it's a 22,000-word caption to the cover photograph, which is the work of the inspired and inspiring Giovanna Ceroni. Her pictures have graced several of my previous works in various genres, including The Notified (a nightmare with summons and statues), Ringmaster Grin (a dystopia with jokes and journalists), Crimes Against Reality (penological science fiction), Spider Rider (post-apocalyptic arachnoid workplace comedy), and Providence Fell (a Lovecraftian tale about what happens after the unspeakable cults have become the Established Church). An accidental snapshot provided a suggestive shade for Shadows With Claws (about an artist whose legacy is perhaps not obscure enough for comfort); but this is the first time I've based an entire book on the cover image. The hook was that item on the right, which looked so much like the profile of a grinning yellow-eyed demon that it took some time for me to realise what it actually was. Happily, feathers and fiends are eminently compatible.